{"id":24033,"date":"2025-06-10T08:16:00","date_gmt":"2025-06-10T08:16:00","guid":{"rendered":"https:\/\/mai.org.mk\/macedonian-literature\/?p=24033"},"modified":"2025-09-19T12:47:53","modified_gmt":"2025-09-19T12:47:53","slug":"ivan-shopov","status":"publish","type":"post","link":"https:\/\/mai.org.mk\/macedonian-literature\/ivan-shopov\/","title":{"rendered":"Ivan SHOPOV"},"content":{"rendered":"\n<p class=\"has-text-link-2-color has-text-color has-link-color wp-elements-1 wp-block-paragraph\">Photo: Lilika Strezoska<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><em><em><em><em><em>Curiosity and wonder: to see the small human dramas, the city scenes that most often pass almost unnoticed, curiosity to peek behind the ordinariness of events.<\/em><\/em><\/em><\/em><\/em><\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Biography<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ivan Shopov<\/strong> was born in Skopje, 1987 and graduated General and Comparative Literature at the \u201cSs. Cyril and Methodius\u201d University in his hometown.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He is author of the books \u201cAn Alphabet and Notes Gone Astray\u201d (short stories, 2010), for which he received the award \u201cNovite!\u201d for best debut prose, \u201cBelly of the Year\u201d (poems in prose, 2012), \u201cThe Chronicles of Arslan Dailey\u201d (satirical articles, 2018), \u201cSkopje: the Lost Shoes of the City\u201d (short stories, 2020), \u201cZentrifuge\u201d (short stories, 2024). He also writes poetry and haiku. His poems and short stories have been translated into several languages: English, Serbian, Croatian, Albanian, Slovenian, Bulgarian, Czech, Greek, Romanian and German.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He translated books by Ambrose Bierce, Madeleine Thien, Roman Kissiov, Mikhail Veshim, Miroslav Krle\u017ea, Bojan Babi\u0107, Asja Baki\u0107, Dragoslav Mihailovi\u0107, Irena Vrkljan, Zvonko Karanovi\u0107, Martha Nussbaum, Dimana Yordanova and others into Macedonian.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the period from 2012 to 2018 he worked as an editor in the publishing house Templum and on the internet portal Okno.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He was part of the organizing team of the literary festivals \u201cAnother Story\u201d and \u201cArtArea\u201d. He is one of the founders of the coffee-bookshop &#8220;Bukva&#8221; in Skopje and the mobile cultural center \u201cKC 750\u201d.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Outstanding title:<\/strong><\/h5>\n\n\n\n<h5 class=\"wp-block-heading has-text-light-color has-text-color has-link-color has-medium-font-size wp-elements-2\"><strong>SKOPJE: THE CITY\u2019S LOST SHOES (2020)<\/strong><\/h5>\n\n\n\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-775cae15 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"606\" height=\"960\" src=\"https:\/\/mai.org.mk\/macedonian-literature\/wp-content\/uploads\/2025\/09\/korica-Skopje-izgubenite-chevli-na-gradot.jpg\" alt=\"\" class=\"wp-image-24035\" srcset=\"https:\/\/mai.org.mk\/macedonian-literature\/wp-content\/uploads\/2025\/09\/korica-Skopje-izgubenite-chevli-na-gradot.jpg 606w, https:\/\/mai.org.mk\/macedonian-literature\/wp-content\/uploads\/2025\/09\/korica-Skopje-izgubenite-chevli-na-gradot-189x300.jpg 189w, https:\/\/mai.org.mk\/macedonian-literature\/wp-content\/uploads\/2025\/09\/korica-Skopje-izgubenite-chevli-na-gradot-370x586.jpg 370w, https:\/\/mai.org.mk\/macedonian-literature\/wp-content\/uploads\/2025\/09\/korica-Skopje-izgubenite-chevli-na-gradot-410x650.jpg 410w\" sizes=\"(max-width: 606px) 100vw, 606px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cSkopje: The City\u2019s Lost Shoes\u201d is a collection of eighty micro-stories, or \u201canti-postcards,\u201d written between 2016\u20132020. The book focuses on the hidden, everyday life of Skopje, contrasting with the city\u2019s recent architectural transformations. Instead of monuments and grand narratives, it captures the voices of \u201csmall people\u201d and overlooked phenomena absent from textbooks and postcards. Against the backdrop of baroque facades and militant monuments, these micro-dramas reveal the city\u2019s true vitality. The book argues that Skopje\u2019s essence lies not in its imposed \u201cbig story,\u201d but in the intimate, vibrant tales that keep it alive.<br><br><strong>No. of pp<\/strong>: 98<\/p>\n<\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong><strong><strong>Rights sold to<\/strong><\/strong><\/strong>:<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Slovenia. <\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><strong><strong><strong>Rights <\/strong><\/strong><\/strong>:<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Ivan Shopov<br><a href=\"mailto:samo.za.ovaa.prilika@gmail.com\">samo.za.ovaa.prilika@gmail.com<\/a><\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Latest title:<\/strong><\/h5>\n\n\n\n<h5 class=\"wp-block-heading has-text-light-color has-text-color has-link-color has-medium-font-size wp-elements-3\"><strong>ZENTRIFUGE (2024)<\/strong><\/h5>\n\n\n\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-775cae15 wp-block-group-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"1358\" height=\"2048\" src=\"https:\/\/mai.org.mk\/macedonian-literature\/wp-content\/uploads\/2025\/09\/korica-Zentrifuga.jpg\" alt=\"\" class=\"wp-image-24036\" srcset=\"https:\/\/mai.org.mk\/macedonian-literature\/wp-content\/uploads\/2025\/09\/korica-Zentrifuga.jpg 1358w, https:\/\/mai.org.mk\/macedonian-literature\/wp-content\/uploads\/2025\/09\/korica-Zentrifuga-199x300.jpg 199w, https:\/\/mai.org.mk\/macedonian-literature\/wp-content\/uploads\/2025\/09\/korica-Zentrifuga-768x1158.jpg 768w, https:\/\/mai.org.mk\/macedonian-literature\/wp-content\/uploads\/2025\/09\/korica-Zentrifuga-679x1024.jpg 679w, https:\/\/mai.org.mk\/macedonian-literature\/wp-content\/uploads\/2025\/09\/korica-Zentrifuga-1019x1536.jpg 1019w, https:\/\/mai.org.mk\/macedonian-literature\/wp-content\/uploads\/2025\/09\/korica-Zentrifuga-370x558.jpg 370w, https:\/\/mai.org.mk\/macedonian-literature\/wp-content\/uploads\/2025\/09\/korica-Zentrifuga-840x1267.jpg 840w, https:\/\/mai.org.mk\/macedonian-literature\/wp-content\/uploads\/2025\/09\/korica-Zentrifuga-410x618.jpg 410w\" sizes=\"(max-width: 1358px) 100vw, 1358px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The very title of this book, with its play on words between &#8220;zen&#8221; and &#8220;centrifuge&#8221;, indicates playfulness, parody, as well as excellent knowledge of the stories that are the subject of reinterpretation, which is a necessary prerequisite for a successful parody. The stories are seemingly simple, written in an easy, understandable style. But in fact, they contain a deeper theme because, through unexpected, witty twists, they reveal and shake up the firmly established, consistent ethical views of Zen stories, often with shocking results. In the other cycles of the collection, which consist of micro-stories, Shopov leaves his recognizable mark: drawing out marginalized perspectives, alienating or destabilizing ordinary situations, applying mutually conflicting narrative procedures to produce an effect of humor and new perspectives.<br><br><strong>No. of pp<\/strong>: 129<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><\/p>\n<\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Rights: <\/strong><\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Begemot Publishing House<br><a href=\"mailto:contact.begemot@gmail.com\">contact.begemot@gmail.com<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Curiosity and wonder: to see the small human dramas, the city scenes that most often pass almost unnoticed, curiosity to peek behind the ordinariness of events.<\/p>\n","protected":false},"author":1,"featured_media":24034,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[212,206],"tags":[],"class_list":["post-24033","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-authors","category-fiction"],"_links":{"self":[{"href":"https:\/\/mai.org.mk\/macedonian-literature\/wp-json\/wp\/v2\/posts\/24033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mai.org.mk\/macedonian-literature\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mai.org.mk\/macedonian-literature\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mai.org.mk\/macedonian-literature\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mai.org.mk\/macedonian-literature\/wp-json\/wp\/v2\/comments?post=24033"}],"version-history":[{"count":3,"href":"https:\/\/mai.org.mk\/macedonian-literature\/wp-json\/wp\/v2\/posts\/24033\/revisions"}],"predecessor-version":[{"id":24039,"href":"https:\/\/mai.org.mk\/macedonian-literature\/wp-json\/wp\/v2\/posts\/24033\/revisions\/24039"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mai.org.mk\/macedonian-literature\/wp-json\/wp\/v2\/media\/24034"}],"wp:attachment":[{"href":"https:\/\/mai.org.mk\/macedonian-literature\/wp-json\/wp\/v2\/media?parent=24033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mai.org.mk\/macedonian-literature\/wp-json\/wp\/v2\/categories?post=24033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mai.org.mk\/macedonian-literature\/wp-json\/wp\/v2\/tags?post=24033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}